伊華．舒爾姆被尊為捷克新浪潮的「哲人」和「良心」，究其原因，是他敢於直視政治和社會、抨擊其虛偽蒙騙的道德執著。首部執導的劇情片開創新浪潮鞭撻現實的風氣。年青的模範工人向來奉行為黨為人民鞠躬盡粹的信念，可制度的高壓、特權階層的跋扈使他進退兩難，不肯放棄真理，代價是喪失一切。影片以寫實的新電影觀衝擊社會主義現實主義的教條，拆解政治的神話和謊言，一針見血的指出國家的腐化狀況，可謂言人所未言，回應了時代的呼喚，難怪立即被禁，兩年後才得見天日。舒爾姆於六十年代的創作成績斐然，可惜「布拉格之春」後被禁拍片多年，境遇一如他創造的悲劇人物。 　　 　　盧卡諾國際電影節大獎、捷克影評人協會年度大獎 　　 　　毫無疑問是捷克新浪潮最重要的領軍作品之一，曾長期被禁，是東歐首部成功處理異化，以及革命者與野心家之間的矛盾的影片。此作亦令舒爾姆成為捷克電影新浪潮的思想領袖。 　　 　　- Amos Vogel, Film as a Subversive Art 　　 　　Any director will tell you that making a film takes courage. But making a film that blatantly criticizes the repressive Communist government of your country? That takes real courage. No wonder Evald Schorm was long known as “the conscience of the Czech New Wave” — he even was forced to stop making films for 18 years, as the Soviet censors considered his vision too subversive. Courage for Every Day was his first move into such dangerous territory, portraying the life and changing times of average factory worker Jarda Lukas. At first loyal to the party and its ideals, Lukas gradually wakes up to the corruption all around him—tracing the journey of a man from faith to disillusionment. 　　 　　Grand Prize at Locarno International Film Festival, 　　Annual Prize of Czech Film Critics 　　 　　Possibly the most influential and most accomplished work of the Czech renaissance, this story of a disillusioned young Communist increasingly at odds with his environment touched on themes of alienation, opportunism, the exhaustion of ideology, and charted with progress of a secular crucifixion. 　　 　　- Amos Vogel, Film as a Subversive Art 　　 　　Source: HKIFF Czech New Wave 2006

Ryutaro Ninomiya, 27 years old, lives a fairly simple life. He works at an auto-repair shop, reads books and drinks a few beers. One day, he receives a phone call from Yusuke, his childhood friend whose mother, Ryuko, is dying from Hepatitis C. Despite knowing for a while that Ryuko was sick, Ryutaro hasn’t visited her, but today he decides to go.

在高中里，一位独眼男孩和一位120公斤的胖女孩在校园相遇，这两位“校园怪人”出人预料地陷入了爱河。毕业后，女孩去了远方上大学，居然还减肥成功。两人再度见面后，男孩对女孩的变化十分意外，他似乎难以接受女孩全新的形象，陷入了内心的挣扎之中；女孩也因此疑惑男孩究竟是不是她命中注定的爱人。随着两人的距离越来越远，更多的现实因素，逼迫他们认清各自现在与过去的模样，以及旁人的目光，是如何看待他们这群先天有缺陷的“怪人”。 　　这是一部风格独特的校园浪漫喜剧，既有反映社会现实冷酷的一面，也有温馨感人的镜头。该片参加了2017年的克利夫兰电影节、牛津电影节等。

深圳女孩小野意外来到某个名叫双滘的粤西小镇，在这里认识了杀马特少年阿威。两人一同踏上了寻牛之旅。 　　本片入围2019年Hi!shorts影展剧情单元。

深圳女孩小野意外来到某个名叫双滘的粤西小镇，在这里认识了杀马特少年阿威。两人一同踏上了寻牛之旅。 　　本片入围2019年Hi!shorts影展剧情单元。

Alejandro and Ana take their family on vacation to a remote island in southern Chile. The tranquility of the trip is disturbed when Nicolás, the local that ferried them across the water, disappears leaving the family trapped.

Drawing on her own experiences to reclaim her transgender identity, Singaporean director Quen Wong’s directorial debut disrupts the silence around trans discrimination. 　　Counting down to her wedding day, Quen explores the journey to her current trans woman identity. In looking back through her past, she shares intimate moments, with her fiancé, which were key to her transition. Her journey also features glimpses of Bugis Street, the trans community’s haven, in its glory days. These are contrasted with present-day Singapore, where the trans community has become marginalised. Quen eloquently chronicles the untold stories of trans women from three different generations, posing critical questions about the survival of the present LGBTQI+ community under a conservative government.

Alejandro and Ana take their family on vacation to a remote island in southern Chile. The tranquility of the trip is disturbed when Nicolás, the local that ferried them across the water, disappears leaving the family trapped.

孤儿李洪义在村民帮助下，幼时成长、长大步入小康生活，到迷失自我、欠下一身赌债，又在村民的帮助下浪子回头，带领乡亲们共同致富的故事。

麦克斯和Ru这对夫妇乘坐飞机前往旧金山旅行，飞行途中丈夫阅读乔诺博士撰写的著作《Forensic Science》，麦克斯对其中关于十二宫杀手的论述部分十分着迷。少顷飞机降落，夫妻二人走出机场，却没有等到来接站的朋友莱斯利。这时一辆私家车停在他们面前，司机自称是莱斯利的朋友，因对方临时有事而代替朋友前来接站。妻子毫无防备地上了车，而麦克斯却还未从探案气氛中抽离出来，他觉得眼前的司机如此可疑，很可能就是传说中的十二宫杀手。 　　刚刚还是阳光普照的旧金山，突然间狂风大作，暴雨倾盆，麦克斯夫妇的心情也跌到了谷底……